Writer, reporter, translator living in Montague, MA, United States Contact: jacque.feldman [at] gmail.com Rebecca Nagel, Wylie Agency X Substack Selected Work: Precarious Lease, account of a squat in Paris’s 19th Arrondissement (Fitzcarraldo Editions, 2025). “Le Bloc: An Account of a Squat in Paris” (Paris Review Daily, 2024). “Siding with Joy: A Conversation with Anne Serre” (Paris Review Daily, 2024). “Emma’s Last Night” (Paris Review Daily, 2024). On Your Feet: A Novel in Translations (dispersed holdings, 2024). Excerpt from On Your Feet (minor literature[s], 2024). Tobias Ryan, “‘There’s nothing to be preserved’: An interview with Jacqueline Feldman” (minor literature[s], 2024). “The Apology or, Henry Learns to Write,” short fiction (minor literature[s], 2024). “Apartment Four” (Paris Review Daily, 2023). “The New Naturists,” short fiction (Socrates on the Beach, 2023). “How the Booksellers of Paris Are Preparing for Next Summer’s Olympics” (Paris Review Daily, 2023). “On Your Feet,” a translation of Nathalie Quintane’s story “Stand up” (The White Review, 2022). “Casting Off,” about the labor of translating Nathalie Quintane (new sinews 6, 2022). Passel, collection of short fiction (new sinews 5, 2022). Poetic and Narrative Form, a handout prepared for UMass Amherst students (2022). “Milena,” short fiction (Socrates on the Beach, 2021). A memoir of AI’s past bias (StatORec, 2021). Also available as a pamphlet (dispersed holdings, 2023. First edition of 100). “Turing Tests,” talk given at the Institut de France as part of the conference Talking Machines (2021). “Saint Briac,” short fiction (3:AM Magazine, 2021). “Story for Malte,” short fiction (The Skirt Chronicles Vol. VII, 2020). “Rosie,” short fiction (3:AM Magazine, 2020). Two entries in the Quarantine Journal (The Point, 2020). On Virginie Despentes (The Nation, 2020). Investigation into a witch hunt taking place in the author’s Connecticut hometown (Triple Canopy, 2019). Reporting at environmentalists’ encampments in the wake of police violence (The Point, 2019). Counterterrorism legislation and the atmosphere in Paris (The White Review, 2018). On the death of the artist Oxana Shachko (Paris Review Daily, 2018). On Google Arts & Culture (GARAGE, 2018). On Marlene Dumas (GARAGE, 2018). For Real Life, a series of essays on chatbots and AI (2016-2018). A reading, in New York City, of one of these (YouTube, 2017). “Faking It,” an essay on misogyny and bots (Real Life, 2018). “Worlds of Pain,” on the concept as it applies to robots (Real Life, 2017). Building bots and reading Winnicott (Real Life, 2016). A kind of fembot manifesto (Real Life, 2016). Slides from a talk on chatbots and gender first given at Theorizing the Web (Museum of the Moving Image, 2017). At Trust & Believe (Eyebeam, 2017). At Solothurn Literary Days (2018). Those slides with notes (2017). On the chatbot Amme and book The Amme Talks (Paris Review Daily, 2017). A story of Ukrainian feminists in a Parisian exile (The White Review, 2017). Meditation on nuclear waste involving reporting in the French countryside (Real Life, 2017). Scripting a “feminist” chatbot (NewYorker.com, 2016). Ahmad Kaddour’s paintings (LA Review of Books Blog, 2016). Orwell, Barcelona, and the Spanish squatters’ movement (LA Review of Books, 2016). “Full Brightness,” on the app Sleep Cycle (The New Inquiry, 2015). Reacting at a distance to tragedy in Paris (The Morning News, 2015). Nutrition in 2050, about the food of the future, translation of a speculative fiction (Editions C. F. A., 2015). On the Paris Pride march (Guernica, 2013).